The intro page introduces the album's new cover, a colorized version of the original with some added touches, namely nuclear reactors and a collapsed freeway looking very reminiscent of San Francisco post-Loma Prieta. All the while, the chorus of the album's biggest hit, and the first #1 single by a solo Beatle, "My Sweet Lord." [Ed.: See DAA Plagiarism list] Be sure to mouse-over just about every inch of your screen. I keep finding new little twists each time I return. Just one example: click on the gas station price pole to see a toy car drive into Harrison's hip. And could you find the skyrocketing petrol meter?

Patience, something George probably learned in India, is a good quality to have when visiting the site. With so much techno-gizmology behind the scenes, pages take a long time to load and there is minimal cacheing since images aren't being saved to your hard drive with Flash so they have to reload even when you use your browser's back button. New flying, crawling or wheeling creatures emerge on each page gradually. Click too fast somewhere else and you'll likely miss something or other or yet another.

Harrison wrote new liner notes for the record that are reprinted on the site and contain a wealth of information. At the very least, he gets to acknowledge the players on the record -- something that he couldn't do thirty years ago as it wasn't industry practice. Usual suspects Ringo Starr and Eric Clapton are singled out as are numerous others, especially engineer Phil Spector. For about half the songs, Harrison's original lyric scribbles are reproduced. Unfortunately, they (and other album art treats) are reduced to a small frame whose dragging feature is a real hindrance for appreciation.