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P.J. Harvey: Listening to this CD for the first time, I had to check a couple times
to make sure that I was really listening to PJ Harvey. The voice sounded different, especially
singing some straightforward rock songs. It was definitely PJ Harvey though, in her new guise,
coming across as natural in it as she was in any previous dress. Stories From the City,
Stories From the Sea is the accessible PJ Harvey, and welcome to her. If the ambient sounds on Is This Desire? befitted an
album with a question for a title, the crisp sounds on Stories From the City, Stories From
the Sea are definitive for an album of answers, answers to nothing except to affirm that
Harvey has something to declare. So while last time she asked if this was desire, this time she
has a song title that directly states "This Is Love" while the song oozes desire from
beginning to end. Even guest vocalist Thom Yorke (Radiohead), he of the tortured vocal, sounds
sure of himself here. Ambivalence and ambience can be fascinating; confidence can be
exhilarating --Stories From the City, Stories From the Sea is nothing less. The rocking
songs mention the city, the slower songs mention the world, while each one propelled by a rhythm
that is sometimes slow but always going places, usually with a churning guitar sound I believe
to be of her own making. Harvey's extraordinary vocals take command throughout.
In "Kamikaze" she sings "build an army to come and find me" and it sounds
like a taunt. "The Whores Hustle and the Hustlers Whore" ends with a sympathetic
wail. "Beautiful Feeling" is exactly that. Harvey is unafraid of risks, and we are the beneficiaries
of the chances she takes. The lyric "We'll float/Take life as it comes" would sound
trite in almost anyone else's song. Yet when these lines are sung in the final song the moment
is incandescent; Harvey is convincing because she is sure of herself. Nothing and no
one can touch her. An artist in complete control is a beautiful thing. |
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