Death Cab for Cutie:
We have the Facts and We're Voting Yes; The Forbidden Love EP (Barsuk)

Death Cab were my most pleasant discovery of last year. They’re back for a return visit in 2000 and will probably land in my year-end top 10 yet again. We Have the Facts... was released this past spring and the band has a new accompanying EP out that is well worth finding. The full-length abounds in catchy tunes that are a bit less over-winding than those that appeared on last year’s Something about Airplanes. In other words, the vestiges of Built to Spill are totally stripped away to the added benefit of the songs. Ben Gibbard’s voice is inviting and his lyrics make you listen closer to the stories he’s telling -- usually about my favorites: love and loss. The seductively simple circular chord progression of "405" mirrors the narrator’s aimlessness of driving drunk on a circumferential interstate pondering the lost "you." All of a sudden, it’s not so simple anymore.

The album’s linchpin is the back-to-back diptych "Company Calls" and "Company Calls Epilogue." Employing overused business buzzwords to define a relationship ("let’s cut our losses at both ends"), the setting is the emotional poverty a paycheck is really worth since we all know what money can’t buy. In the epilogue, the narrator receives an invitation to an ex’s wedding and looks forward to getting "dressed up for free drinks and family greetings." One trip to the complimentary bar leads to many and all of sudden he’s "crashing through parlor doors" demanding to know how the bride feels before launching into a too-late admission: "You were the one, but I can’t spit it out when the date’s been set." A stunner.

The EP collects three new songs, including the winning "Photobooth" about a summer affair, as well as an acoustic version of "405" and an alternate take on "Company Calls Epilogue." Well worth the extra splurge.

Ratings: We Have the Facts and We’re Voting Yes -- 8; Forbidden Love EP -- 8.

--Tim Frommer


 

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