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IT'S THE BEAT, STUPID Five Great Rock 'n' Roll Drummers by Scott Aaron
There is one rock and roll truth I believe 100%: A band can only be as great as its drummer.
Drummers are often dismissed as interchangeable, or are
stuck with the cliched role of "Wildman of the Group." All I know is, if I had a band,
and I had my choice between a great guitar player and a great drummer, I'd take the great
drummer every time. The drummer is the difference between critics describing your music as
"rocking, kicking with wild abandon" and "solid, mid-tempo rockers." Good
drummers make even slower songs bounce along, and provide the momentum and groove that can give
any song at least a chance of being great. And by the way,
I'm not a drummer. I like guitars. I read about guitars, go to stores and stare at them longingly
, talk to my friends about them, play them in an average kind of way -- just love them. And
amplifiers... oh, baby. But I cannot deny the truth about drummers. Let's look at some examples of drummers who lifted bands into
greatness. I'm not saying that the other members of these bands are untalented in any way.
I'm just saying they're fortunate that they happened to know a great drummer. 1. Topper Headon of the Clash -- I think in the early stages of this band, he really
was the only person who could play. He
literally held them together musically. If you listen to London Calling, you can hear the
strength of his drumming. It's difficult to have a borderline out-of-control style if the
drumming isn't great. 2. Clem Burke of Blondie -- My personal opinion is that without Clem Burke, no one
would have
heard of Blondie outside of NYC. He is responsible for the impossible feat of making a disco
beat interesting in "Heart of Glass." Eat to the Beat is a clinic on how drumming
style can be integral to a band's sound. He really helped make this group interesting, and held
it together in the face of its stylistic wanderings. 3. Steven Adler of Guns and Roses -- Now, I'm not a fan of these guys, but they help
prove my
point. Steven, their original drummer, helped make "Sweet Child O' Mine" and
"Welcome to the Jungle" the great rock and roll songs they are. Those songs just kick
along. "Sweet Child" in particular would probably be a plodding mess without Steven.
Notice how no one is noticing GNR anymore? Is it just a coincidence that their original drummer
is long gone? I think people can tell there is something missing now that was there before. But
I think it is someone that is missing. 4. Bill Berry of REM -- Kept tons of songs like "Losing My Religion"
from skidding into easy-listening territory. Arguably, Bill was the only source of rock and roll
in this collection of art students. He has always been a consistently strong but interesting
drummer. Just listen to Up for a glimpse of how these guys will fare post-Bill. Sounds like an
art project to me. 5. Chris Mars of the Replacements -- Another band that, without good drumming,
could have faded early and quickly under the weight of their all-over-the-placeness. Chris was
able to strike the perfect balance between effectively driving the group, and staying in the
background so that the group's spotlight could shine on reluctant/truculent frontman Paul
Westerberg. Pleased to Meet Me contains wonderful examples of great drumming - from the
cracking
beginning of "IOU" to the end of "Can't Hardly Wait." So take a listen to your favorite albums, go see some shows, and
check out the drumming. If you are like most people, you will notice that most of your favorite
rock albums share really good drumming in common. There is a reason that drum machines have made
an impact, but haven't completely takenover.
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