|
|
| ||
![]() (The London) Suede
Head Music Suede may be the last serious rock band
left standing. Without apology, Brett Anderson and the boys
front their seductive guitars,
'80s synths and big beats, wrapped
around lyrics and a public image in the best of rock
traditions:
gender mystery, glam and plenty of raw decadence. I'm sure the
backlash crowd, disappointed
that they couldn't find fault with the big comeback album,
Coming
Up, will be lying in wait to dismiss Head Music. The
band
provided some ammo: the title track is a bit tired ("Gimme
head ... music,"
indeed) and "Can't Get Enough"
sounds like a Tin Machine outtake. Similar
attempts just sound
big and dumb. But to banish this album to the resell bin so quickly would be big mistake, because Head Music
has a bunch of
winners tucked away. "She's In Fashion"
is so immediately catchy, so dead on,
that it knocked back any
initial doubts. "She's as similar as you can get,"
Anderson observes between hand claps and the wa-wa guitar, "to
the shape of a
cigarette." "Savoir Faire" is a
nice piece of power pop, too, full of
hooks, guitars and itself.
And the mid-temp "Asbestos," with its hip-hop
keyboards
and jazzy horns, slinks along nicely, painting a languid picture
of
"suburban girls making eyes at suburban boys." Ignore the inserted beeps
and gurgles;
this is a rock album in a great tradition. No, it doesn't break
any
new ground for the band or the genre. But Suede has managed
to sound both modern and
rooted at the same time -- a nice
trick.
Rating: 7 Artists l Essays l The List l Sites & Sounds New Issue l Best Of l Fave Links l About Us |
|||