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![]() Pearl Jam
Live in Praha, Czech Republic 6/14/2000 As you probably know, Pearl Jam have recently released 25 two-cd live sets from their recent
spring tour in support of Binaural in Europe with the list price of a single cd release
to circumvent commercial bootleggers. From a band who covered Fugazi in their earliest days,
Seattle's favorite sons have long emulated their forefathers putting the fans first. These
live sets come in the most minimal of packaging -- a simple recycled cardboard digipak -- with
poorly lettered site and date info on the front, but it's all about the music. -The set lists between the shows don't seem alter terribly
much. While I'm sure there are plenty of flannel-wearing folks who had to grab the
nearly 50 hours of newly available PJ, the rest of us will be sated with one or two
shows I imagine. From canvassing some sites where all the discs have been reviewed,
as well as not necessarily needing to hear "Jeremy" again quite yet and my tendency toward
Mitteleuropa, Praha (or Prague to you and me without a facility for the Czech language) was
a natural choice. I had the distinct fortune of seeing Pearl Jam perform in
small clubs in New York in 1991 and, by and large, have missed their arena-sized career. Their
early-in-the-afternoon slot at Lollapalooza '92 was the last time I witnessed Eddie V. take
his life in his hands climbing scaffolding. The difficulty playing to a massive audience is
a combination of crap acoustics and a need for style over substance if you are trying to keep
the person in the last row engaged. A live album from an arena show at least gets to
tap into the soundboard ignoring the stacks of Marshalls and diffuse sound. PJ have long been about substance, not style, so even tired stage banter has a
vein of genuineness and the band gives FM rock a good name. The newer songs that I am less
familiar with have a certain crackle that comes with a band proudly showing off its latest
creativity. Back catalog and big singles merit the appropriate crowd response and rarely have
a feel of mailing it in. I applaud the stance Pearl Jam has taken in a number of
areas from railing against ticket surcharges, promoting low-power radio and refusing to make
music videos. In this instance, Epic, their label, deserves at least a nod of acknowledgement
in letting the band pursue this effort. Granted, it will probably be another cash cow for Sony
owing to the extremely low production costs and the fact that they were also making money of
off the tour that generated these discs, but no other label has made a similar offer for say,
scores of screaming Dave Matthews fans. Yes, indeed, Pearl Jam is still alive.
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