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![]() Kristin Hersh
Sky Motel A Kristin Hersh solo record has meant a collection of songs arranged acoustically with her
voice mixed equally as a complement or counterpoint. What is one to make of her just-released
fourth solo effort (including last year's collection of Appalachian folk tunes) with a full band
of instrumentation on each track? With few exceptions, all of the instruments are played by Hersh
herself. Are Throwing Muses back from hiatus? Not exactly. In truth, I'm not sure what to make of Sky Motel. "Disjointed" is the
adjective that continues to come to mind. At times, I thought I was listening to outtakes from
Throwing Muses' Limbo, other times, a forgotten track from last year's solo record,
Strange Angels, or even attempts at REM's recent sonic explorations. What was also familiar
are the characteristically disarming lyrics: either potently direct ("This is no time to
fuck up") or eerie and twisted ("I was born in America, with the fists of a saint"). Without trying to compartmentalize her career, Kristin certainly seemed to distinguish between
songs she wrote for her band and songs written for her to perform solo. The trappings of both
are apparent here with not unexpectedly mixed results. The single "Echo" and the
hypnotic "Husk" are standouts. Too much fiddling with the instruments around the studio
mar other tracks like "San Francisco." Since Dave Narcizo appears on a few tracks and
is her touring drummer, I'd have preferred if Kristin had gone the whole way and given us the
eighth studio Muses record.
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